I have a picture book idea which is a tad subversive - y'know, a little cannibalism, inappropriate toad jokes, poop-eating, etc. I really want to write this book. I'm positive I can decapitate a cute bunny rabbit is a very classy way. (I'm sure I've made this sound worse than it is...or perhaps not wicked enough.)
Approaching the critique group with such a wild beast of a manuscript is a challenge. I'm guilty of critiquing out others subversive attempts too.
"Your protagonist cannot eat the antagonist in a picture book." (It's happened)
"Why was this child alone?" (PBs do it all the time.)
"The deep dark woods seem a little scary for the 4-6 crowd." (Well... that's where the wild things are.)
So I'm becoming a student of the subversive. Today I want to look at the class of books where the parents are missing, but really aren't "missed." A great picture book rule is to get rid of the parents. But as critique partners who are parents, it is really hard to read manuscripts without thinking, where is the mother?
"A lot of good tricks. I will show them to you. Your mother will not mind at all if I do."
(The Cat in the Hat, by Dr. Seuss)
Critique: As a mother, I would certainly not want my children to think it was okay to let a strange apparently adult Cat and his two Things in the house while I'm out on a very important errand. But if I'm there, they miss this insane experience, and would never learn how well they can handle themselves in a difficult situation.
"It was midnight when the dancing and the howling began."
(The Boy and The Moon, by James Christopher Carroll)
Critique: You can't have a small child running around climbing to the top of an apple tree at midnight! But one can't be scared of nighttime, and every child should get to experience it. And if I was there, he wouldn't have come up with such a wonderful solution to get the moon unstuck from the tree.
(Hey, Pancakes!, By Tamson Weston and illustrated by Stephen Gammell.)
Critique: A hot stove? Rickety stool? Syrup everywhere? Danger, danger, danger! But...we've all made pancakes. We don't know how old big sister at the stove is, but we know if mom and dad had been awake, these siblings wouldn't have had the challenge of finding something to eat to overcome and show their parents how responsible they can be (cleaning up) while still being kids (hiding pancakes in the basement for later.)
(The Sea Serpent and Me, by Dashka Slater and illustrated by Catia Chien)
Critique: So...there's a sea serpent in the bathroom and Mom hasn't noticed? What. Are there any rules in this house? You can just go the beach by yourself carrying a giant sea serpent? That's not how we roll in my house. But I've read this book 100 times, and I don't recall ever missing the parents. They don't really matter. This isn't their story; it's the story of a brief and extraordinary friendship.
(Journey, by Aaron Becker)
Critique: A little girls shouldn't be running around in a fantasy world, nearly falling off waterfalls, and battling knights. But, in this beautiful wordless PB, the parents sort of choose not to be in the story. They are cooking dinner and working, and there isn't enough time. I think that's very relatable. Then little children have a lot of responsibility for making their own fun, and that's an awesome responsibility to have.
What are some of your favorite PBs, new or old, which you would classify as "subversive?" I'm planning a post on "Slightly Scary" and "Nakeyness," but I'm sure there are other subversive genres I haven't considered yet.